ROOM 3
20 m2 room on the 1st floor
20 m2 room on the 1st floor
Iñigo Arrizabalaga, musician residing in Orduña and leader of the group “Sobrino Sobrado”, spends the summer in Medina de Pomar and, following the cultural exchange experience with Haro (La Rioja), presented this project to the Culture Departments of both Corporations. The proposal is accepted and Medina proposes to the International Art Curator Abdul Kader, the Ateneo Café Universal Exhibition Hall and the Merindades Museum; and on the part of Orduña, the Alhóndiga Civic Center – Alondegia Gizarte Etxea, the Orduña Museum – Orduña Hiria Museoa and the Rómulo Restaurant join the project.
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In this case we bring a very promising young painter: Julen Martín Zaballa, a 22-year-old artist from Areta-Llodio (Araba).
He graduated in Fine Arts from the UPV where he is currently studying a master’s degree in painting.
His career has just begun but he has already had several exhibitions.
Maite Herrero Castiella presents at the Museum of Orduña, portraits of pets made from photographs in different techniques such as oil, colored pencils, markers and watercolor.
She is currently immersed in small projects, based on illustrations on various supports: aprons, bags, t-shirts and paper which she calls them mini-works. The objective is to bring art closer, strip it of excessive importance and make it a more natural part of our lives.
An artist with a long history, she works in his workshop exploring techniques and diverse themes, that she combines with giving drawing and painting classes to individuals, in homes for the elderly and associations.
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Juantxu Berrocal was born in Bilbao in 1940 but has been living in Amurrio (Álava) for more than 50 years where he has developed his professional life as draftsman designer until his retirement.
On display is a magnificent collection of MODELS of old buildings such as farmhouses, towers, mills or hermitages from the Basque Country, almost all of them located in the Alto Nervión region (Álava-Vizcaya).
Juantxu is self-taught and has been learning as he built his own small buildings. He has developed his own technique with great respect for these constructions from other times, for who he made them, and for what nature offers to make them.
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Cristina Dulanto is a painter and illustrator from Miranda de Ebro. Her restlessness and creativity led her to focus her career on the world of art.
She studied Artistic Bachelor in Burgos, at the School of Arts and, in order to continue with her studies as a Designer of Plastic Arts and Design applied to Sculpture.
She also studied Illustration at the Vitoria School of Arts.
Her work has always been related to the world of art. Not only as a Graphic Designer, but also as a teacher of different artistic disciplines like drawing, painting, modelling and restoration.
An eclectic painter, she likes to combine a variety of influences and elements from different styles. She also likes the strength that comes from working with primary colors.
Her work can be classified within “magical realism”, close to the iconography of tales and fables. For Cristina, painting is «a way of being alive, it is a need to express my creativity, and to bring out what I have inside».
After exhibiting her oil paintings in several places in the province of Burgos, La Rioja, the Basque Country and Madrid, she now arrives to Orduña.
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The Orduña-born painter Jasone Pikaza exhibits a number of recent watercolors in the Orduña Museum’s New Artists’ Room, located on the first floor.
They are corners of Orduña under the very personal stylistic interpretation of Jasone, which is characterized by the minimal expression of drawing and the gestural and colorful brushwork.
“My skill as a draftswoman, complemented by my attraction to color and landscape, suggests that I am a creator, albeit a late reactor.
Painting is something that I have always sought but I have not trained academically, I am self-taught and, without knowing all the materials, I think that sooner or later I can master them.
I tried oil, but watercolor gives me another ease, another immediacy, despite the fact that I intuited that working with watercolor would be more delicate, less controllable. But the result is surprising and satisfying in a way that I think I will continue to create with this technique.”
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